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Support Local Journalism. Join Riverfront Times Press Club. June 02, News » Feature. Part of this increase is a function of the process: We honored musicians in many more genres and expanded the number of nominees in several categories. But for the most part, the greater number of acts reflects the enormous talent within the St. Louis music community. Every night of the week, you can hear any genre — hip-hop, soul, rock, folk, indie-rock, funk, country, electronica, alt-country and everything in between — performed by talented local musicians and DJs. While we'll forever grumble about what hot touring acts are skipping St. Louis even if that's been improving dramatically in recent years , we have no right to complain about a lack of local talent. So enjoy the following list of nominees and what they're all about.

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Support Local Journalism. Join Riverfront Times Press Club. June 02, News » Feature. Part of this increase is a function of the process: We honored musicians in many more genres and expanded the number of nominees in several categories. But for the most part, the greater number of acts reflects the enormous talent within the St.

Louis music community. Every night of the week, you can hear any genre — hip-hop, soul, rock, folk, indie-rock, funk, country, electronica, alt-country and everything in between — performed by talented local musicians and DJs. While we'll forever grumble about what hot touring acts are skipping St. Louis even if that's been improving dramatically in recent years , we have no right to complain about a lack of local talent. So enjoy the following list of nominees and what they're all about. Who knows? Maybe you'll find your next favorite band in the bunch.

But Pokey can play — he attacks the banjo and guitar like a mini twister of twang and jug-band blues — and leads his group of rounders like a musician who knows his fate: to channel the energy and vitality of prewar blues and to keep it fresh with inimitable panache. The Monads The members of the Monads are veterans of the St. Louis acoustic-punk scene — yes, it exists and thrives, even — but they'll never grow up.

The quartet dreams of pirates and moonshine and shit-kicking and cornbread and still more moonshine, and it brings those weird dreams to life with a blasting, thrashing, in-your-face bluegrass-punk sound that's as raw as the blisters on their collective fingers. Morgan is supported by the Lonely Pine, her "band" that is actually comprised of harmony vocalist and multi-instrumentalist Beth Bombara.

In concert and on record, the women adorn these songs with simple, intuitive finery that complements the twists and turns of Morgan's words. Louis music scene for the better part of two decades, and both are well-respected songwriters. In their current project, Ploof's tenor croon is perfect for old-timey storytelling, while the addition of Anne Tkach's sultry rasp adds welcome dimension.

But the utilization of other players allows this group of twang vets to morph from a folk-based, singer-songwriter act into a full-blown band. The title track from last year's Christmas album, Just Because It Was Christmas , shows even more range — and proves that Rough Shop can handle chiming, jangly pop with just as much precision and zeal as it does rootsier fare.

The songs are dense and demotic, the playing sometimes as free as punk and other times as lilting as front-porch folk. RK p. Backed up by the supremely tight rhythm section of Teddy Brookins and Grover Stewart and pushed into the funkosphere by jazz and electronic maestro Mo Egeston on keyboards, Brothers Lazaroff can jam your ass and stir your heart.

Louis has plenty of country-music ambassadors to cover the many shades of twang. However, the Dock Ellis Band's niche is honky-tonk — the kind favored by whiskey-snortin', Saturday-night-barroom rabble-rousers. Lead singer and frontman Jesse Irwin is an unrivaled entertainer in town with a smile that can light up a room and a witty sense of humor that adds weight to this group's booze-infused boogie.

His band's songs are slightly tipsy recollections of classic country music's essence — mixed with equal parts '70s outlaw country, Bob Seger-esque nostalgia, irreverent comedy and a splash of Southern rock for good measure. But at least for now, we'll just have to settle for keeping this folksy duo of precision finger-pickers as our own little local secret. The Northwoods' pristine sound may contrast with a lot of the more rough-edged, shadowy folk-singer fare in town — but in the end just gives more dimension to the scene as a whole.

Jeremy Shanas recently left the group, but Elijah Palnik will be soldiering on solo under the Northwoods name. In fact, just this past weekend he opened for 10, Maniacs in South Barrington, Illinois.

SM a. Principals Matt Pace piano, trumpet and Brien Seyle violin compose each score from scratch before asking their comrades to fill in the sonic blanks with low trombone notes, martial drums and the occasional theremin interlude.

The end result is a combination of live performance, film theory and storytelling. Big Mike Aguirre The young blues-guitar slinger has been known to throw down with jam bands and unplug for a solo gig. But for the most part, Aguirre pronounced a-gerr-ay, with R's rolled keeps the flame of Stevie Ray Vaughan burning hot on a Stratocaster that seems to respond not just to his fingers but also to his soul. Louis blues scene. He's played with every other legend in the genre, from Albert King to Jimmy Reed, and he's even blown the harp for actor Steven Seagal.

His instrumental style is instinctive and muscular — he runs the scales down with a master's touch, and his voice is the true sound of the blues: deep, leathery and plainspoken.

Besides a genius bit of self-promotion, this gesture ensures that Lemon's seamless progressive-house mixes are accessible anytime. AZ p. Heezy Despite the adversarial moniker, Mohawk vs. The Loyal Family associates work together to create good vibes, in the form of bass-heavy positive jams that draw from funk, grime, reggae, hip-hop, dubstep and electro.

The band formed in after Berlin Whale disbanded and released its debut, Grandma's House , in the summer of The synth noise, echo-chamber vocals and Casiotone conceits definitely classify Exercise as art rock, and its live show is a raucous affair.

Still, it's to Wood's credit that the disc can stand on its own: He and his bandmates pay tribute to the electronic rock music of the late '80s while proving that the genre still has legs today. As Tone Rodent discovered, just ask. Accordingly, the tracks with Rosco possess Spacemen 3-esque, ear-splitting vacuum roars — and should please fans of early, abrasive Jesus and Mary Chain tunes — while Atkins' contribution gives Tone Rodent some rhythmic heft.

Dottie Georges continues to create hypnagogic magic in a bandless world. Dreaming down the line of celestial harmony into the ether, this electronic seamstress exhibits her ability to mend the wounds of lost songs. Armed with her amalgamation of patchwork beats, grunge-pop guitar, waiflike murmurs and a Lou Barlow addiction,. Raglani It's been a year of recovery and rebuilding for Joseph Raglani.

The synthesist and sound sculptor had nearly all of his gear stolen on a tour stop in New York last May, and in the ensuing months he has rebuilt his arsenal which once again includes his beloved Moog Voyager Old School synthesizer and started playing shows again. The self-described noise artist delights in stringing together and then unraveling various sonic threads, which can range from icy and inhuman to warm and natural. Be it touring the Midwest, assailing the airwaves, booking shows or combusting onstage, Spelling Bee has proven itself as not only a hyperactive, spazz-rock embodiment of trepanation, but as a musical entity.

Spelling Bee is the quintessence of 21st-century DIY. Innovators of the brain raid. The Sun Ra Arkestra of St. Nudist Colony. You've heard it all before. The band's irresistible tin-can beats, freight-train rhythms and frenzied howls of ecstasy whirl audiences into equal parts caveman rave and mutant orgy. Unleashing pyschotropic unrest for over twenty years in the name of its god, Kuu, Skarekrau Radio will forever continue to warp-speed down the expressway to yr skull.

Whether the troupe is backing up other artists in the studio, making its own records or providing a little New Orleans street-band flavor to a live event, Funky Butt has made people pay attention to brass music again in St. Credit goes to the act's three-pronged attack of stellar musicianship; an undeniable, good-time spirit; and a diverse repertoire that incorporates Tower of Power-style experimental funk grooves and adventurous arrangements.

Louis' answer to Lauryn Hill. She's an idiosyncratic, completely uncategorizable talent. But Young's foray back into solo-artist-dom has been successful: "Grown Man" is a sultry, snapping slow jam with torchy rock guitar, while "Girlz," a Ne-Yo-meets-St. Louis-hip-pop song, showcases Young's falsetto. Joka Street-oriented rap is Joka's specialty — in fact, his raspy voice and repetitive chants would feel right at home on a Young Jeezy song.

Joka has since released the Born Wit Haters mixtape, but to date his biggest single is "Swing on 'Em," a high-energy brawler's anthem that received heavy radio rotation in Nite Owl A staple of the local hip-hop community for years now, "Nitro with the nice flow" is one of the only local emcees to regularly play shows with a live band.

Nitro's laid-back delivery and soulful beat selection offer a certain sense of sophistication not commonly present in much of today's rap. Louis rappers have often been stigmatized as being too simple or "bubblegum.

On a mission to "make smart cool," Ea routinely crafts some of the wittiest metaphors to be found with the precision of a lyrical neurosurgeon. Since winning Vibe magazine's "Vibe Verses" contest in , Ea has collaborated with underground heavyweight Canibus and has caught the attention of emcees such as Immortal Technique and Black Thought.

Tef helps wake St. Add to that the fact that Money was released just six months after his impressive debut, The Redeemer , and it's no exaggeration to say that Tef is easily one of the most talented and hardest-working members of the Force. With production by Ben Bounce and DJ Crucial, Capricorn remains true to Earthworms' penchant for mixing feel-good lyrics with a vintage hip-hop sound.

CC p. Comprised of some of the best and brightest emcees, producers and DJs the area has to offer, the collective's reputation is rapidly gaining momentum beyond the Gateway City. Whether he's cutting classic old-school hip-hop on Truly the "Don of St. Louis," this world-famous DJ has got it all: the roots, the rep and the love of St. Louis on his back. DJ Needles Although Nodzilla a. DJ Needles is one of the most consistent DJs around, he's regarded just as highly for the quality of his music production.

He's constantly putting out music, such as the Hawthorne Headhunters Mixtape featuring Black Spade and Nodzilla's Baadasssss EP , while producing tracks for other artists in the meantime. The girl can spin. She's the only woman in the group of local hip-hop power brokers known as the Derrty DJs, and she hosts her own show on Adding a touch of much-needed estrogen to the testosterone-dominated St. Louis hip-hop scene, she also produced the Ladies of the Lou mixtape hosted by Ebony Eyez.

He has toured internationally as Chingy's DJ, has partnered with Basement Beats and produces tracks and mixtapes on the side. Art Majors A Venn diagram would clearly show that Art Majors is the violet overlap where Liars' red circle and the Walkmen's blue circle touch — where post-punk's innate power matches loud, kinetic instrumentation.

At times, Michael Roche's deep growls are a more intense and rambunctious cousin of National lead singer Matt Berninger. The quartet recently recorded a handful of demos at Shine Studio and hints that an untitled-as-of-yet EP will be released sometime this summer. Dear Vincent rises to the occasion. Taking its name from the correspondence between Vincent van Gogh and his brother Theo — a correspondence that fuels the album So Long Winter — the band combines old-time country, pop, lo-fi and brittle indie rock in a way that never feels purely conceptual.



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